Tag Archives: death

The Poisoner

This is a continuing story but I have tried to write it as a stand-alone as well. The previous chapters are The Poison Shop and The Poisoned Child.

There are less than fifty of us who cursed with the inability to die. Less than fifty who came from that other place, so long ago that it seems like a dream. Some, like the Poison Shop keeper, I hold a casual acquaintance with. Most I never see. Only Terc is my friend and she wears her books like armor.

iron fenceI am standing in the yard of St. Benedict of Nursia’s Home for Orphaned Children. The children are playing but I am watching only one. It is Theresa that I saw in my death vision, the poison-induced state that is the closest I have to sleep. She is also my daughter, I now know.

Mother Cecilia is leading her towards me, as I have requested. The girl’s eyes are deep and solemn and hint at her long life as her body does not.

“Do you like it here?” I ask Theresa, after we have been introduced and are alone. Mother Cecilia has agreed to this request of mine, but still, she watches us intently from across the court.

Theresa does not answer, simply looks into my eyes as if trying to unlock their secrets. “Are your teachers good to you?” Still no answer. “Do you have any friends?”

“Sometimes,” she says at last. “But always they leave and I stay. When prospective parents come with interest in adoption, the sisters hide me away.” She speaks slowly and with diction that shows she is no pre-adolescent. “If I ask why, they say that this is my home. ‘Many sisters and brothers and even a Mother’ they say.”

“But no father,” I say. “I came today only for you. Would you like to come home, to be my daughter?”

Her face flickers between apprehension and wild, unforeseen hope, like a candle flame caught between opposing breezes. “But I don’t know who you are,” she says at last.

“I am your real father,” I say. My fanciful, believable lies are not crafted for family, and quickly I tell her as much of the truth as time allows. I tell about how I met her mother Harriet Velmann almost 250 years before, in a fit of wild, despairing abandon. I tell about myself and Terc and the others of our cursed race who came from afar and found ourselves trapped by time and immortality. “Now you know me far better than most,” I say finally. “Will you come with me, or do you wish to stay?”

In answer, she reaches out and takes my hand.

Adoption, it turns out, is a complex process that requires almost as much time and money as it does patience. Time and money I have without measure, but patience, very little. So I speak long and earnestly with Mother Cecilia and at the end, Theresa and I walk out the gates together.

“How did you convince her to let me go?” Theresa asks as we walk to my car.

“It is a gift, I suppose.”

“Mr. Rudolph does similar things, when he comes to visit me.”

“Who is he?”

“He comes to talk and bring me things. He is a strange, dark man who talks of pain and death a lot. But I cannot complain: until you came, he was my only visitor.”

I try not to show the alarm that I feel at her words, especially when I think back to my vision of her lying dead and poisoned on the floor of the orphanage. I wonder now if Theresa, being half-human, could be killed by normal means.

“Describe Mr. Rudolph to me,” I say. She does, in great detail, and before she is finished, I know for certain who she is speaking of. I hide my fear and drive straight to Terc’s library.

Piled books

“This is my daughter, Theresa,” I tell Terc when we are standing in her presence. “It was her that I saw in my vision.”

“I see,” Terc says. “Welcome.” She smiles but I know her well enough to see the deep disdain lurking behind her false-warm smile. “Do you like to read?” she asks Theresa. The other nods. “Come side down and read a while.” She leads Theresa off to a corner and finds her some books to lose herself in.

“And when were you busy making her?” Terc asks when she returns. Her intonation is tinged with acid.

“Centuries ago,” I say. “I was close to madness after you— we— I found a human woman for a while.”

“I see.” No mollification.

“Terc, there is something more pressing. Theresa mentioned a man visiting her, calling himself Mr. Rudolph. It is Ram, I know it, but what his interest is in her, I do not know. I have not seen him in almost a century, ever since he embarked on his obsessive quest regarding his vision.”

“Could it be her?” Terc asks. “The one Ram has been searching for? You said that in your vision, you saw Theresa poisoned and dead. In Ram’s vision, a woman kills him. If he thinks it is Theresa, he may be trying to kill her first.”

How would he know about her, I wonder. But no, it does not matter. “That may be,” I say. “If so, I must find him and stop him.”

“Ram never gives up,” Terc says, “and if he thinks that Theresa is going to destroy his body in the future, leaving him alive and unbodied, then he will never give up searching for her. He will find you.”

 

(to be continued)

 


The Poisoned Child

This is the continuation of the story The Poison Shop but I hope it will stand up pretty well on its own as well.

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The Poisoned Child

I cannot die.

Blessing or curse, it is who I am now. My life stands like an iron spike driven into the rock, while countless souls tumble around me like grains of sand driven by the waves. They stay for a moment until the next wave crashes in; they are gone in an instant, but I am always left.

But I am not the only one.

I wake up in the poison shop to find that I have been dead for a little over eight hours. The poison I used was powerful and now my body is stiff and painful. Shop Tender gives me a look of I-told-you-so as I put the syringe on the counter and shuffle away.

I find Terc in her library, halfway through a stack of Chinese literature books. Each of us spends our sleepless, deathless existence in a different way. I poison myself to find the last shreds of that other world of dreams; Terc studies. She looks up at me with eyes that have been tired for centuries.

“I was at the poison shop,” I say. She waits for the news. “I glimpsed the future. Really,” I add, at the doubting twist of her mouth. “I saw the calendar.”

She slips me a patient smile, then turns back to her page of dense Chinese script. “You can’t trust your perceptions in that state. It’s dangerous to go down that rabbit hole of either trying to prevent the future or confirm it. Remember Ram.”

“I know,” I say. “I’m not going to go like Ram. But still . . . I saw a girl lying in the hall of an orphanage. She was poisoned. It seemed significant.”

“But you don’t know the name or any specific information,” she says, with assurance. I shake my head. “It was a dream, Shah. Nothing more.”

“I know. Still . . . how many orphanages in this city have iron gates in front of them?”

She gives a noise of annoyance but then closes her eyes. I see her eyes moving back and forth under her papery lids as she counts. “Only two that I know of,” she says. “Draw out what you saw and I can tell you which one it is. They are different styles.”

I smile but she just shakes her head, telling me it won’t be worth it. For a split second, the image of hot-blooded, passionate Terc invades my mind: Terc as she was before the fatigue of interminable time bore her down. The memories and their intertwined sensations blaze for a moment in my mind, but as always I push them down. I make myself forget.

iron fence

St. Benedict of Nursia’s Home for Orphaned Children. It is the next day and I am standing outside the very gates that I saw in my death-vision. The sight fills my mind with an insane elation. In my vision, I had walked through the gates, but here in real life, I ring the bell and it clangs unpleasantly. A moment later, a matron appears at the door. She is the woman I saw in my vision, standing over the child and screaming. She comes to the gate but doesn’t open it.

“Yes?”

“I am looking for a child, a girl.”

“What’s her name?”

“I don’t know, but I would know her face if I saw it. Can I come in and look at the children, or even at pictures?”

Her face is a wall, refusal so evident that she does not even need to voice the words.

“Please,” I say, holding her eye and silently beseeching her to come around to my way of thinking. “She is someone important to me. I just need a few minutes.”

“I’ll let you look at pictures,” she says after a moment, opening the gate. “Come this way.” I can be very persuasive if I want to be.

Mother Cecilia—for this is how she introduces herself—leads me to her office and around behind her mahogany desk, an island of luxury in the ascetically bare surroundings. Soon, pictures of thin, unsmiling children are flitting across the computer screen. After a hundred or more—Terc would have known exactly—they end.

“She’s not there,” I say. “Are these all the children in the orphanage?”

Her clumsy attempts to mask her expression tell me everything. “Please show me the others,” I say.

“There is only one other,” she says finally and opens up another folder. A moment later, the picture of the poisoned girl appears on the screen and I nod in confirmation. “What do you know of Theresa?” she asks.

“I know she is possibly in trouble,” I say. “How old is she?”

“She’s ten,” Mother Cecilia says. Why must people lie, especially when they are terrible at it?

I take a chance. “She is not ten,” I say. “She is much older than that, isn’t she?”

Her face flushes. “Who are you really?”

Later, I cannot remember exactly what I say. My lies are not memorable, but they are wonderfully effective in the moment. I play on the fact that Theresa is in danger and that I am—somehow—her only hope. “You must help me,” I say in closing, emphasizing the must. “How old is she really?”

I lie much better than Mother Cecilia. She nods. “I do not know how old she is, but they say she came here in 1840, just after the orphanage opened. At that time, the records say she looked about seven or so. If she ages, it is extremely slowly. We view her as a miracle. People come to pray over her. Some claim she can prolong the lives of others as well.”

So, she is one of us, I think. And a child, no less. I had not known there were any children. My vision was indeed significant. At my request, Mother Cecilia fetches all the records on Theresa.

“It says that her mother’s name was Harriet Velmann,” Mother Cecilia says. Then, “Sir, are you okay?”

“I apologize, I suddenly got dizzy. That never happens to me.” None of it is a lie, nor is the reason for my sudden reaction, a truth that is more unbelievable than any lie I could have told her. I knew Harriet Velmann once, when her tiny grain of sand was whirling momentarily through time past me. Oh, how I knew her, in that desperate, hopeless way when we fight against the inevitable.

And now I know why my vision is significant, because poor, orphaned, soon-to-die Theresa is my daughter.

 

(to be continued soon)


The Poison Shop

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The Poison Shop

“What’s your poison?” Shop Tender asks, his face a winter of expression. Years of truth spoken ironically have effaced any natural emotion.

“Talon-4,” I say.

His face does not even twitch, but a pause shows his surprise. “You sure? I ain’t paying to get your rigor-mortass carted away.”

“No fear.”

He types in the charge—$4300—and I look into the green LED on the bar. I get a brief mental image of the amount before the light blinks, transaction complete. Mr. Tender places a thin purple vial and compressed air injector on the counter.

“Syringe, please.”

Finally, a smile cracks the frozen line of his mouth. “Hipster.”

I get my syringe and take it and the vial back to a dark corner. A couple other patrons are about, lying dead to the world in various positions of repose.

I don’t like the dull emptiness of air injectors. I need that small prick of pain, a last quivering match-flame of life, before all goes black. I feel the dull burn begin as the poison starts to work through my system. It spreads like a black glow through my veins and I can feel the world wavering. I have sworn before that I have heard the last thump of my heart before it stops beating but this time I am sure of it. It sounds like a final drumbeat before the silence settles in and oblivion cascades over my senses.

I never know how long the darkness lasts, in that middle-world devoid of sensation, but after what seems like soon, the mist begins to burn away and I am standing on a dim street near a iron-fenced orphanage. The death-euphoria is building and I practically skip as I walk through the fence and the wall of the building. The weather is sepulchral, but in my mind, it is the first of June.

iron fence

I do not have a plan, but the death-euphoria gives a sense of purpose to any action and so in the universe of my mind, I am on a quest, and discovering it moment by moment. Every detail seems significant—every stone and errant leaf preordained for this moment.

In the lobby, a woman is screaming noiselessly, like a TV on mute. A child is lying on the floor, her lips a familiar grey and her eyes large and bulging. Based on her appearance, I could name all five of the possible poisons that killed her, although they are all rare enough that I wonder how she got it. More children peek in arrested horror through the upstairs banister. Several people are talking on phones, silently pleading urgency. I notice a calendar on the wall.

For a moment, nothing seems strange, until I notice that it is for one month in the future. The death-euphoria is wearing off, and I feel my mind begin that slow, sickening knotting that precedes revival. I begin telescoping, the rest of my vision skewing into the periphery as my eyes burn into the calendar. It’s wrong, wrong. This is the future. My mind starts telescoping too, with those two words banging like a gong in my head: WRONG. FUTURE. WRONG. FUTURE. WRONG WRONG WRONG.

I open my eyes to find myself in the dark corner of the poison shop. My spirit is filled and slopping over with the noxious effects of after-death. Nothing lasts forever for those such as I, not even death.

(to be continued soon)


Broken Piano – Friday Fictioneers

Broken Piano

The casket was empty as far as I was concerned. I had come to pay my respects to my former teacher, the piano virtuoso Horace Thornhill, but as I approached, all I saw in the satin-lined box was a dead body.

I looked at the hands that had drawn exquisite aural elixirs from ivory vessels and the face that had worn an expression of such concentration and sublimity in the midst of his performances. They were empty—as cold and silent as a marble statue.

There was nothing more than a broken piano now; the music had flown far away.

 


Old Rusty – Friday Fictioneers

copyright Jennifer Pendergast

copyright Jennifer Pendergast

Old Rusty

Old Rusty went to heaven yesterday. A man couldn’t have asked for a better giant bee companion.

It wasn’t just his honey-making superpowers. That paid the bills, but he was also a real sweety—the way he liked getting scratched behind the wings and how he got all excited about the annual apiary box social.

I can see him now on one of his grizzly hunting trips. He wouldn’t kill ‘em; just play with them a while. Nobody could make a grizzly wet itself in terror as fast as Rusty.

Somehow, a dog just isn’t going to cut it anymore.

 


Chute Malfunction – Friday Fictioneers

copyright Douglas M. MacIlroy

copyright Douglas M. MacIlroy

Chute Malfunction

I fell like a wingless bird into a sea of sublime white.

Come into our embrace, the cottony pillows called to me. We will catch you. Come dance on our hills and valleys. They reached out to caress me, as gentle as a mother.

False saviors, every one. I plunged straight through and the green plains of my death spread out below me.

No fear.

Strange. The novelty of a soon and inexorable end washed it away.

Suddenly, my body was jerked upwards. I looked up at my expanding orange salvation, as gauzy and ethereal as the perfidious clouds beyond.


Unsinkable – Visual Fiction

Taken in Namhae, Korea

Taken in Namhae, Korea

 

Robert Brouard rowed the old green boat, nicknamed the Love Boat, into the middle of the silent reservoir. The surrounding hills  seemed to smoke with ragged cloud vapor and unwillingly, he thought of the crematory giving off smoke as it transformed his beloved Sandra’s body into nothingness. All he had left of her was an urn of ashes and the boat she had built long ago.

He reached the middle of the reservoir and picking up the urn, he started dumping the ashes out into the water. He didn’t feel sad—at least no sadder than he had for the last week. It was hard to think that the grey dust had ever been a part of her. He accepted it objectively, but he felt no need to say good-bye to it. The boat had more of her spirit left in it than that grey, dusty ash.

The boat…

Sandra would always sit in the back when they went rowing together. She would smile lovingly at him and that would keep him going as he sweated and worked to row them out into the middle of the reservoir for a picnic, or to look at the stars, or just to be alone together. He thought of that first night in it, after she had finally finished and launched the thing that had taken up her spare moments for two years.

He had been so proud of her—I’ll bet I’m the only man in the world whose wife can build a boat, he’d said. It probably wasn’t true, but it made her glow with pleasure and when she was happy, he was happy. They had drunk the champagne instead of smashing it on the prow and then made love in the tippy little craft under the stars. It had been awkward and precarious but passionate, and forty years later, the memory was still electrifying.

But now…

Robert put down the urn and picked up the hatchet, prepared to chop through the bottom. “I’m going to come join you now, if that’s okay, dear,” he said. “Just you, me, and the boat.”

It wasn’t that he felt depressed. He felt none of that black cloud of despair that had sometimes afflicted him as a teenager. It just seemed natural, logical even, to go this way. He had no purpose without her; he was just a lonely old man waiting to die in order to be with his beloved again, so why wait? And he could not leave the boat to be sold off and used by others who did not know its significance and history. Memories were not for sale.

He closed his eyes and with a swift movement, struck the bottom of the boat. He chopped again and again, making a fist-sized hole while water flooded in.

It had covered his calves when the water stopped flowing in. He sat there for some time with wet shoes and socks, wondering why the boat wasn’t sinking. Wood floated, of course, but he had filled the boat with weights to make sure it sank. Still, it refused to sink, as if some of Sandra’s obstinacy had imbued the very timbers. Finally, feeling foolish and confused, he rowed slowly back to shore.

Later that evening, he used the truck winch to pull the boat onto shore and examined it to find what had caused the miracle. He pried off one of the sidewalls and found that it was filled with foam. He checked the others and every space was filled with foam: enough to keep the boat above water, even if it got a hole in it.

And he had never known. Back then, she had been a star swimmer, while he could barely do a lap. Just in case, he could imagine her saying. Just in case we spring a leak. Just in case we’re stranded.

Just in case I die first and you take the boat out alone.

“I’m going to have to fix that hole as soon as possible,” he said. And then, for the first time in that horrible, tragic, soul-crushing week, he began to cry.

 


A Night of Loss and Grief – Fantastic Travelogue #14

Sometimes you have some amazing adventures you just have to tell everyone about. Read the rest of this account here.

Synopsis: I was hiking in the mountains of Korea when I got lost at night and came out in a strange valley. I couldn’t understand anyone, but I found out they knew Chinese characters. I met a young woman name Ain-Mai, and later, her brother Sing-ga. While I was there, a creepy woman appeared. Ain-Mai and her brother told me that the creepy woman was named Hengfel and came from another world. Hengfel eventually captured all three of us and brought us back to her world. They separated us, but Sing-ga and I got out and rescued Ain-Mai, although I got quite injured in the process. We took shelter in the air vents. Sing-ga went to find water, while Ain-Mai bandaged me and took care of me. Sing-ga finally came back, bleeding badly and very injured.

Night of Great Loss

I had never seen anyone die before, but I was there, kneeling next to Sing-ga when he died. I heard his breath catch, as if he were choking on something and then it just stopped. I kept waiting for him to breath again, but he didn’t. Ain-Mai, on his other side, was starting to become frantic. She was hyperventilating and shaking him, calling his name. Finally, I reached out and touched her arm and she wilted, her arms falling down to her sides.

In the faint light of the moon and stars that was coming in through the opening, I could see that Sing-ga’s arms and face were covered with circular bites. If he had been attacked, how had he gotten away? And could there be things that were still looking for him? I wanted to get away, but I wasn’t sure where to go and I was in no shape to travel.

A light, skittering sound came from up the tunnel. Ain-Mai didn’t seem to notice. She was smoothing back her brother’s hair and crying softly.

“We should go,” I said. She paid no attention.

Something the size of a dinner plate flew out of the darkness at me. All I saw were thin, clawed legs outstretched towards me before the thing wrapped itself around my arm and I felt the sharp pain of it biting into my flesh. I shouted in terror and ripped it off, hurling it savagely out through the grating and into open space. More came leaping at me and I fought them off desperately, pure adrenaline overcoming the pain of my injuries. From what I could tell, they were like huge spiders, with clawed legs and a sharp-toothed mouth in the middle of their body. Even now, I sometimes have nightmares about those horrors jumping out of the darkness at me.

Mouth spider

One got caught in Ain-Mai’s hair. She screamed, but it roused her to action and she fought back, lashing out at the monsters when they jumped at her.

“We have to go!” I shouted, not caring that she couldn’t understand me. I started to move in the only direction that was open to us, out the opening and onto the sheer outer side of the tower. I hesitated when it came to actually stepping out of the opening and onto the rough plates of the outer wall, and it was Ain-Mai who took the lead and held out her hand for me to come out.

I had just taken her hand when one of leaping spider-mouths latched onto my shoulder and bit in deeply. I writhed to get it off and felt myself slipping. Ain-Mai pulled me back to the wall and reached down to rip the vile creature off my shoulder. It gave a thin cry as it disappeared into the darkness far below us.

I did not wait to see if more were following us but gripped Ain-Mai’s hand and followed her along the ridges of the wall. They stuck out at an angle from the wall and were easy to hold onto, but they were also irregularly shaped. My right foot was bandaged and extremely sore, so I hopped along on my left.

The spider-mouths didn’t follow us out. I thought this was strange until I remembered poor Sing-ga’s body lying just inside the tunnel. I was sick with horror, but it came out as anger. I shuffled along, swearing under my breath, spitting out profanities with every hop. I’m not even sure who I was angry at: at the spider-mouths; at Hengfel for bringing us to that terrible place; at myself for getting Sing-ga and Ain-Mai caught with me and in doing so, causing his death. I was thankful for the calming effect of Ain-Mai’s hand in mine, which kept me from doing anything stupid.

We came to a hollow in the outer wall a minute later, which was fortunate because I could not have gone on much longer in my condition. It was probably a dragon nest at one point, but it was deserted and we collapsed into it. I put my back against the stone wall and tried to regain my strength and calm my mind. Ain-Mai slumped down by my side, sobbing. I put my arm around her and she drew closer.

Night of Great Loss

Ten minutes later, she had quieted and lay still against me. I had my eyes closed when I felt her stir. The next thing I felt were her lips on mine. She was kissing me in a quick, breathless way, not romantically, but as someone desperately needing comfort in the midst of despair.

For a moment, it was as if time stopped and the Choice stood in front of me. We were alone together in an alien world. Ain-Mai had just lost her brother and was overwhelmed with grief. She needed me. As for myself, I was lonely and tired and she felt so good next to me that in that moment, I wanted nothing more than to abandon myself to her kisses and caresses.

But then I thought of my wife–by herself and worlds away from me. I imagined her going about her daily life, wondering where I was, hoping I was safe, and I realized that she was the only one I really wanted. Still, it was one of the hardest things I have ever done to pull away from Ain-Mai’s embrace. “I,” I said, and then took her hand and drew out the character for “married” on her palm. I guess she understood my meaning one way or another; she nodded and then put her head back down on my shoulder. She started crying again, very softly, and I put my arm around her again. I didn’t know what else to do.

The next thing I remember was opening my eyes to see the sun breaking over the far horizon. Ain-Mai was sleeping with her head still on my shoulder. Then I noticed with a start that a large bird-like creature was perched on a wall plate next to the hollow. It had wings folded behind it and small arms in front, each with a large golden bracelet on it. We looked at each other for a moment until it put its hands over its eyes and bowed deeply to me.

(to be continued…)


Quadruple Bass – Friday Fictioneers

This story is neither quirky or dark, my usual themes, but you know what they say: “departure from the norm is the spice of life.”

Here are a collection of other stories around this picture.

Copyright Roger Cohen

Copyright Roger Cohen

It probably would have failed anyway. Who would want to hear a double bass duo anyway? Quadruple Bass, we called ourselves.

I claimed Grandpa’s old pride-n-joy. My brother had to save up three years for his instrument. Practice breaks were filled with lofty plans of concerts, tours, autographs. He talked; I listened, smiling.

His sickness killed all that. My last performance was when I lugged both behemoths up to his third-floor hospital room and tried to play both simultaneously to make him smile.

They just sit there now, but sometimes I think I can hear them hum to each other.


Closing Time

The factory was at rest; most of the lights had been turned off and only the low hum of the machines showed any activity at all. The caretaker walked down the empty aisles, between rows of machines that had worked tirelessly for over nine decades. There were thousands of machines, each with its own specific purpose. The caretaker knew each one and what it did. He remembered things that each had made.

Through peace and war, times of hardship and plenty, the factory had gone on. There were times when only a few departments produced anything at all—lean times when people worried and belts were tightened. Then there were years when every department was working at full capacity and the building seemed hardly to sleep at all. In the last few years, production had slowed gradually, year by year, unable to keep up the capacity it had sustained in its earlier days.

The caretaker made his way to the master control booth, situated high above the factory floor. He looked over the whole floor and saw the red and green lights winking at him from the control panels of the machines down below. He thought about all the things that had gone out from the loading bay to enrich the world, all the millions of things now scattered all across the world, that had been made on that very floor. No one would know the impact they had all had. The world would miss this old building, but there would be others and no building can last forever. After one last look, he began to pull the master power breakers. They fell into place with a thunk and one by one, the machines below went dark.

 

There is a time for everything, and a season for every activity under the heavens:

a time to be born and a time to die. (Ecclesiastes 3:1-2)


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